The season of oppressors’ failure. First, it is necessary to mention that when the writer decided to write this article, the conditions were different in two ways. First, it was difficult to predict the continuation of protests for more than two weeks, but this happened for various reasons, similar to many events that have puzzled […]...

Examining the committed art and social responsibility of the artist in conversation with Hafez Musavi, poet. Who is a committed artist? Is art simply a result of an artist’s reaction to political and social situations? What is the state of committed and protest art in the current protests in Iran? These questions have been asked […]...

“Examining Iran’s Protest Cinema in Conversation with Karim Lakzadeh, Film Director” Karim Lakzadeh believes that in Iranian cinema, films have always been made that appear to be protest films, but in reality, they have only been used by opportunists to advance the filmmaker’s goals and gain international recognition. Given that these days, the art of […]...

An overview of the visual works arising from the movement of “Women, Life, Freedom”. In recent weeks, the intensity and severity of events and important developments have been so high that it has likely changed the meaning of time for many of us. It is as if imagining the situation in Iran before the murder […]...

A few notes about protest literature in Iran. When discussing “protest literature,” some may think that our understanding of this concept is synonymous or closely related to “commitment in literature” or, in another reading, “committed literature”; an understanding that itself has a “leftist” color and smell. Although “leftist literature” is also an example of this […]...

Literature has recorded the first execution to the last massacre. You must have heard this sentence many times: “Their work is finished.” From the mouth of a taxi driver, a working woman, a daily wage laborer, or a student who has confidently set a deadline: “They won’t see the end of 1401,” “Next year in […]...

The seasons of protest and movement among the people have always been accompanied by the support of artists and those with a sense of taste and eloquence; those who have used the tools of art to speak for the people and shed light on their problems, and be their voice. This season has once again […]...

“Meeting ‘Salam Farmandeh’ and ‘For…’ Shervin Hajipour” For over forty years, schools in Iran have turned into prisons and students are reprimanded for their rights to freedom. These days, we see many images of schools in the country where students are singing the song “For…” by Shervin Haji Pour in schools or on the streets, […]...

Can we hold artists responsible for their actions in sensitive political and social situations? Before and after the February 1979 revolution, discussions were raised about the role of art and literature and their responsibility in society. What was approved and accepted by revolutionary and leftist forces was referred to as committed art. This perspective was […]...

The pulse of protest art is rising in Iran. The widespread uprising of the Iranian people and the presence of women and girls at the forefront of these movements have awakened the creativity that was dormant in the heart of Iranian society. Today, we witness the art of protest and its prominent symbol in various […]...

Mehsa Amini, a young woman, was killed by the agents of the “moral security police” in late Shahrivar 1401 (September 2022) during widespread protests against the Islamic Republic. In these protests, children, especially teenagers, play a central role, but perhaps more important than their role in these protests is the visibility of children during protest […]...

Mahsa Amini, the most famous girl in the world. October 11th was the International Day of Girls. In 2022, it marks the 10th year of recognizing this day as the International Day of Girls by the United Nations. This year’s theme is “Our time is now–our rights, our future”. It is a symbol of the […]...