“In Sync with the People”, “Anti-Dictatorship”, “Independent”, and “Strong” are titles used to describe the “Free Art” movement in Iran. The Free Art movement, which became more radical and widespread after the killing of Mahsa (Zhina) Amini, showed that the artistic community in Iran is aligned and in harmony with the ideals of the “Women’s […]...

Songs for solidarity. Can music play a role in creating cohesion in societies and strengthening civil society? This is a question that some “community-based institutions” are trying to create experiences for through music education. One example of these institutions is the “Community Music Works” (CMW) located in Providence, Rhode Island in the United States. This […]...

Criticism of culture is a necessary matter for social dynamism. For over a century, Iranian society has been firmly rooted in various efforts to maintain ancient structures of tyranny, and its extent has reached a critical stage. In such a situation, whether willingly or unwillingly, the issue of cultural analysis becomes necessary, as cultural crises […]...

In the years 1353-1354, when the Sepah-e Danesh (literally “Knowledge Corps”) was a few years old, it had come to our village. We, the children of the village, had recently learned to read and write. Every now and then, we would see a Land Rover car coming from the city to the village, bringing us […]...

The film “Hero”, written and directed by Asghar Farhadi, tells the story of a young man named “Rahim” who is played by “Amir Jadidi” brilliantly. Rahim has divorced his wife and has a teenage son who stutters. He is in prison because of a 70,000 tomans debt to his former boss and bankruptcy – which […]...

More than ever, censorship and inspection policies by authoritarian governments have taken complex forms, to the point that in societies under the rule of tyranny and cultural suffocation, censorship and the policy of elimination have become a guillotine. In Iran, the issue of censorship, both in the Shah regime and in the Islamic Republic, has […]...

» “The Iranian cinema, which is a part of the rich identity and culture of Iran today, has been hunched under the sword of arbitrary censorship for years. It does not want and cannot bear another period of erosion, suffering from the spiritual and financial damages of illogical and boundless inspections of the radio and […]...

According to the recent decision of the Supreme Council of the Cultural Revolution, which was approved in the afternoon session on Wednesday, 30 Khordad, under the leadership of Ebrahim Raisi, the responsibility of monitoring the areas of audio and video platforms and the “Home Display” network will now be under the responsibility of the Islamic […]...

Iranian politicians believe that those who are involved in the art business have a great influence on public opinion and are always seeking to attract them. In every election, campaign headquarters compete to bring in celebrities for their campaign photos. They have probably deduced this from the voting statistics of the winning candidate in each […]...

Alvin Toffler, the theorist of the “Third Wave”, believes that after the two agricultural and industrial revolutions, humans have now entered the third revolution; the electronic revolution. He says that the emergence of phenomena has caused chaos and the only way to escape it is to choose a strategy of knowledge against these phenomena. Based […]...

From the very first months after the leadership of Ayatollah Khamenei, he tried to implant a concept called “cultural invasion” in people’s minds. A concept that reflected his way of thinking and his approach towards modern human lifestyle. In Azar 1368 (November/December 1989), he stated in a speech, “Now in our schools, streets, frontlines, and […]...

If we want to summarize the history of Iranian television after 1357 in one sentence, we can write: A huge cultural and artistic gap between the reality of society and the programs produced. A gap that was mostly evident between the years 68 to 78. The atmosphere of revolutionary society and the subsequent eight-year war […]...