Cultural Rights

Last updated:

November 24, 2024

Cultural Rights

Interview with Solka: Rap, Gender Equality, and a Battle That Continues / Morteza Hamounian

She’s called “Solka” so much so that even those around her have forgotten her real name is “Sara Bahreini.” Sara, or Solka as she’s known, has numerous tattoos adorning her body and exudes a sleek gangster style. She’s reminiscent of “Griselda Blanco,” except Sara is no criminal—she’s an artist, writing beautiful lyrics with a powerful […]...

Read More
Created By: Morteza Hamounian
September 22, 2024

Conversation with Solka; Rap, Gender Equality, and the Ongoing Struggle/ Morteza Hamounian

“Solka” is calling out; she is so well known by this name that her acquaintances have forgotten her real name, “Sara Bahreini”. Sara, also known as Solka, has numerous tattoos on her body and has a stylish gangster appearance; something similar to “Griselda Blanco” but the difference is that Sara is not a criminal, she […]...

Read More
Created By: Morteza Hamounian
September 22, 2024

“Underground Theater”, Selection of Independent Artists / Dina Ghalehbaaf

“In Sync with the People”, “Anti-Dictatorship”, “Independent”, and “Strong” are titles used to describe the “Free Art” movement in Iran. The Free Art movement, which became more radical and widespread after the killing of Mahsa (Zhina) Amini, showed that the artistic community in Iran is aligned and in harmony with the ideals of the “Women’s […]...

Read More
Created By: Dina Ghalibaf
August 22, 2024

How can music create active citizens? / Sara Nadafian

Songs for solidarity. Can music play a role in creating cohesion in societies and strengthening civil society? This is a question that some “community-based institutions” are trying to create experiences for through music education. One example of these institutions is the “Community Music Works” (CMW) located in Providence, Rhode Island in the United States. This […]...

Read More
Created By: Sara Nadafian
July 22, 2024

Why is cultural criticism necessary? / Mehrdad Naghibi

Criticism of culture is a necessary matter for social dynamism. For over a century, Iranian society has been firmly rooted in various efforts to maintain ancient structures of tyranny, and its extent has reached a critical stage. In such a situation, whether willingly or unwillingly, the issue of cultural analysis becomes necessary, as cultural crises […]...

Read More
Created By: Mehrdad Naghavi
December 22, 2023

The Last Breaths of “Children and Adolescents Intellectual Development Center” / Keyumars Amiri

In the years 1353-1354, when the Sepah-e Danesh (literally “Knowledge Corps”) was a few years old, it had come to our village. We, the children of the village, had recently learned to read and write. Every now and then, we would see a Land Rover car coming from the city to the village, bringing us […]...

Read More
Created By: Kiomars Amiri
December 22, 2023

The issue of distinguishing between hero and anti-hero in Iran / Keyumars Amiri

The film “Hero”, written and directed by Asghar Farhadi, tells the story of a young man named “Rahim” who is played by “Amir Jadidi” brilliantly. Rahim has divorced his wife and has a teenage son who stutters. He is in prison because of a 70,000 tomans debt to his former boss and bankruptcy – which […]...

Read More
Created By: Kiomars Amiri
September 23, 2023

Why is cultural generalization important? / Mehrdad Naghibi

More than ever, censorship and inspection policies by authoritarian governments have taken complex forms, to the point that in societies under the rule of tyranny and cultural suffocation, censorship and the policy of elimination have become a guillotine. In Iran, the issue of censorship, both in the Shah regime and in the Islamic Republic, has […]...

Read More
Created By: Mehrdad Naghavi
September 23, 2023

The death of “Home Performance” is on the way; an interview with Shahram Alidi/ Delbar Tavakoli.

» “The Iranian cinema, which is a part of the rich identity and culture of Iran today, has been hunched under the sword of arbitrary censorship for years. It does not want and cannot bear another period of erosion, suffering from the spiritual and financial damages of illogical and boundless inspections of the radio and […]...

Read More
Created By: Delbar Tavakoli
July 23, 2023

“The sword of power over culture; who is the loser? A conversation with Albert Bghzian/Matin Mostafai”

According to the recent decision of the Supreme Council of the Cultural Revolution, which was approved in the afternoon session on Wednesday, 30 Khordad, under the leadership of Ebrahim Raisi, the responsibility of monitoring the areas of audio and video platforms and the “Home Display” network will now be under the responsibility of the Islamic […]...

Read More
Created By: Matin Mostafaei
July 23, 2023

Supervision of the National Broadcasting Network on Home Display Network: Conflict between Security Institutions and Celebrities?/ Mehdi Shirzad

Iranian politicians believe that those who are involved in the art business have a great influence on public opinion and are always seeking to attract them. In every election, campaign headquarters compete to bring in celebrities for their campaign photos. They have probably deduced this from the voting statistics of the winning candidate in each […]...

Read More
Created By: Mehdi Shirzad
July 23, 2023

Support for Home Viewing Network: People’s Need and Time; Two Wings of One Flight / Saeed Maleki

Alvin Toffler, the theorist of the “Third Wave”, believes that after the two agricultural and industrial revolutions, humans have now entered the third revolution; the electronic revolution. He says that the emergence of phenomena has caused chaos and the only way to escape it is to choose a strategy of knowledge against these phenomena. Based […]...

Read More
Created By: Saeed Maleki
July 23, 2023