Cultural Rights

Last updated:

April 21, 2025

Cultural Rights

The necessity of educating adolescents and young adults about the harms of capital punishment / Arash Mohammadi

The death penalty, as one of the most severe and irreversible forms of punishment, has always been a subject of serious debate among legal scholars, sociologists, and human rights activists. In the Islamic Republic of Iran, execution has not only been a judicial tool, but also a political and ideological one, used in many cases […]...

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Created By: Arash Mohammadi
April 21, 2025

Capital; a series that had no water for the people but had bread for the radio and television/ Parvaneh Ahmadi

In recent years, the television series “Paytakht” has always been a subject of attention with its social and political statements. Despite attracting a large audience, the seventh season of this series received criticism from viewers. Many viewers criticized the decline in the quality of writing. They believe that without Khashayar Alvand (one of the writers […]...

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Created By: Parvaneh Ahmadi
April 21, 2025

The Share of Education in the National GDP Is Less Than 2% in Iran/ Reza Dehlavi

Social justice, as a subset of the principle of justice, means equal rights for all people—regardless of race, color, language, social status, or similar factors—so that each person can attain what they rightfully deserve. Justice in education, as the most critical pillar of national progress and development, refers to the availability of “opportunities” and “educational […]...

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Created By: Reza Dehlavi
January 20, 2025

Experiencing the Beautiful in Tehran/ Mehrnaz Razaghi

Tehran, a city known for the hustle and bustle of modern life, has recently unveiled a new dimension: a platform for experiencing beauty and reimagining artistic identity. This transformation is not only evident in established venues such as the Tehran Museum of Contemporary Art and the long lines for the “Eye to Eye” exhibition but […]...

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Created By: Mehrnaz Razaghi
December 21, 2024

Interview with Solka: Rap, Gender Equality, and a Battle That Continues / Morteza Hamounian

She’s called “Solka” so much so that even those around her have forgotten her real name is “Sara Bahreini.” Sara, or Solka as she’s known, has numerous tattoos adorning her body and exudes a sleek gangster style. She’s reminiscent of “Griselda Blanco,” except Sara is no criminal—she’s an artist, writing beautiful lyrics with a powerful […]...

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Created By: Morteza Hamounian
September 22, 2024

Conversation with Solka; Rap, Gender Equality, and the Ongoing Struggle/ Morteza Hamounian

“Solka” is calling out; she is so well known by this name that her acquaintances have forgotten her real name, “Sara Bahreini”. Sara, also known as Solka, has numerous tattoos on her body and has a stylish gangster appearance; something similar to “Griselda Blanco” but the difference is that Sara is not a criminal, she […]...

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Created By: Morteza Hamounian
September 22, 2024

“Underground Theater”, Selection of Independent Artists / Dina Ghalehbaaf

“In Sync with the People”, “Anti-Dictatorship”, “Independent”, and “Strong” are titles used to describe the “Free Art” movement in Iran. The Free Art movement, which became more radical and widespread after the killing of Mahsa (Zhina) Amini, showed that the artistic community in Iran is aligned and in harmony with the ideals of the “Women’s […]...

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Created By: Dina Ghalibaf
August 22, 2024

How can music create active citizens? / Sara Nadafian

Songs for solidarity. Can music play a role in creating cohesion in societies and strengthening civil society? This is a question that some “community-based institutions” are trying to create experiences for through music education. One example of these institutions is the “Community Music Works” (CMW) located in Providence, Rhode Island in the United States. This […]...

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Created By: Sara Nadafian
July 22, 2024

Why is cultural criticism necessary? / Mehrdad Naghibi

Criticism of culture is a necessary matter for social dynamism. For over a century, Iranian society has been firmly rooted in various efforts to maintain ancient structures of tyranny, and its extent has reached a critical stage. In such a situation, whether willingly or unwillingly, the issue of cultural analysis becomes necessary, as cultural crises […]...

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Created By: Mehrdad Naghavi
December 22, 2023

The Last Breaths of “Children and Adolescents Intellectual Development Center” / Keyumars Amiri

In the years 1353-1354, when the Sepah-e Danesh (literally “Knowledge Corps”) was a few years old, it had come to our village. We, the children of the village, had recently learned to read and write. Every now and then, we would see a Land Rover car coming from the city to the village, bringing us […]...

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Created By: Kiomars Amiri
December 22, 2023

The issue of distinguishing between hero and anti-hero in Iran / Keyumars Amiri

The film “Hero”, written and directed by Asghar Farhadi, tells the story of a young man named “Rahim” who is played by “Amir Jadidi” brilliantly. Rahim has divorced his wife and has a teenage son who stutters. He is in prison because of a 70,000 tomans debt to his former boss and bankruptcy – which […]...

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Created By: Kiomars Amiri
September 23, 2023

Why is cultural generalization important? / Mehrdad Naghibi

More than ever, censorship and inspection policies by authoritarian governments have taken complex forms, to the point that in societies under the rule of tyranny and cultural suffocation, censorship and the policy of elimination have become a guillotine. In Iran, the issue of censorship, both in the Shah regime and in the Islamic Republic, has […]...

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Created By: Mehrdad Naghavi
September 23, 2023