PEACE-MARK

Last updated:

January 5, 2025

7 Peace Line 1397

Shahyar Ghanbari: The mission of an artist is to create freedom / Ali Kalai

Conversation with Shahyar Qanbari, about the art of protest these days. Shahyar Ghanbari is a poet, composer, and singer. He has been involved in various forms of art in Iran, including filmmaking, for many years. He has a long list of unforgettable songs and poems, such as “The Scent of Good Wheat”, “Bread, Cheese, and […]...

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Created By: Ali Kalaei
November 22, 2022

Hafez Musavi: Iranian artist is inevitably involved with social and political issues/ Mehrnoush No’edoust

Examining the committed art and social responsibility of the artist in conversation with Hafez Musavi, poet. Who is a committed artist? Is art simply a result of an artist’s reaction to political and social situations? What is the state of committed and protest art in the current protests in Iran? These questions have been asked […]...

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Created By: Mehrnoush Noudoust
November 22, 2022

Karim Lakzadeh: The only way for cinema to join our recent protests is through suicide/ Ali Naseri

“Examining Iran’s Protest Cinema in Conversation with Karim Lakzadeh, Film Director” Karim Lakzadeh believes that in Iranian cinema, films have always been made that appear to be protest films, but in reality, they have only been used by opportunists to advance the filmmaker’s goals and gain international recognition. Given that these days, the art of […]...

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Created By: Ali Nasri
November 22, 2022

“Manifestation of Protest and Revolution / Behzad Kambouzia”

An overview of the visual works arising from the movement of “Women, Life, Freedom”. In recent weeks, the intensity and severity of events and important developments have been so high that it has likely changed the meaning of time for many of us. It is as if imagining the situation in Iran before the murder […]...

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Created By: Behzad Kambozia
November 22, 2022

The blazing flames of creation / Nima Rahi

A brief note on the relationship between art and revolution. Socrates did not like tragedy and the reason he gave was very simple: “tragedy is beneficial.” This usefulness later became one of the fundamental principles of tragic writing, theorized by tragedians such as Sophocles. In simple terms, this usefulness referred to promoting a universal perspective […]...

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Created By: Nima Rahi
November 22, 2022

Painting of Mahtab Ali-Nejad

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Created By: Admin
November 22, 2022