Supervision of the national broadcasting network on home display: Positioning/ Farshad Ghani

In the last days of the month of Khordad this year, Fars News Agency reported that “the Supreme Council of the Cultural Revolution discussed policies and regulations for the comprehensive audiovisual field in its 30th session, chaired by Seyyed Ebrahim Raisi” and approved the single article “Determination of Requirements for Organizing the Comprehensive Audiovisual Field”. […]...

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Home entertainment series, a way to forget / Ali Hosseini

1. In the movie Once Upon a Time in America, David Aaronson (Robert De Niro) returns to his old neighborhood after years and gives a short and thought-provoking answer to the question “What have you been doing all these years?” He says, “I used to go to bed early at night!” Nighttime sleep is a […]...

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Supervision of the National Broadcasting Network on Home Display Network: Conflict between Security Institutions and Celebrities?/ Mehdi Shirzad

Iranian politicians believe that those who are involved in the art business have a great influence on public opinion and are always seeking to attract them. In every election, campaign headquarters compete to bring in celebrities for their campaign photos. They have probably deduced this from the voting statistics of the winning candidate in each […]...

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Support for Home Viewing Network: People’s Need and Time; Two Wings of One Flight / Saeed Maleki

Alvin Toffler, the theorist of the “Third Wave”, believes that after the two agricultural and industrial revolutions, humans have now entered the third revolution; the electronic revolution. He says that the emergence of phenomena has caused chaos and the only way to escape it is to choose a strategy of knowledge against these phenomena. Based […]...

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A look at the disappearance of independence in the home entertainment network / Arash Chakari

If we want to summarize the history of Iranian television after 1357 in one sentence, we can write: A huge cultural and artistic gap between the reality of society and the programs produced. A gap that was mostly evident between the years 68 to 78. The atmosphere of revolutionary society and the subsequent eight-year war […]...

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The home viewing network, the latest victim of suppression / Marzieh Mohabbey.

In Iran, when television was under the monopoly of the government, all windows of critical thinking were closed and all avenues of influence for thoughts, beliefs, and existing discourses were obsessively blocked. As an arm of the security apparatus, it also took on the mission of suppressing the government’s opposition. Some speakers and journalists were […]...

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“Satra and its history, a tool for suppression in the media sphere/ Mostafa Azizi”

To suppress visual media, the Islamic Republic has taken different approaches. They used to think that their control over the radio and television would be permanent and all they needed was to have control over it and exercise complete supervision, and even if they loosened restrictions in cinemas, suppression would still be carried out. At […]...

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Repeated censorship of visual media and its impact on human rights / Abdullah Bai Lashki

Human rights and visual media play a vital role in a free world and act as powerful tools for promoting transparency, accountability, and social justice. In countries that uphold the principles of freedom of expression and information, individuals have the right to produce, access, and share visual media, which can expose human rights violations, document […]...

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The portrayal of women on Iranian television/ Jafari’s thoughts.

This is a caption This is a caption. Jafari’s thought She screams and hits her head and face with both hands while crying, goes to sleep with full hijab and wakes up, gets ready to go to the salon or buy clothes, and locks her husband in the house. If she is dying, she definitely […]...

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Media in the shadow of politics/ Sina Kiani

This is a caption This is a caption Sina Kiani State television, cinema, and theater have always been available spaces for women to engage in, participate, and consume cultural productions. However, there has always been inequality in terms of time and location distribution compared to men. The position and power of women in each of […]...

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