In the last days of the month of Khordad this year, Fars News Agency reported that “the Supreme Council of the Cultural Revolution discussed policies and regulations for the comprehensive audiovisual field in its 30th session, chaired by Seyyed Ebrahim Raisi” and approved the single article “Determination of Requirements for Organizing the Comprehensive Audiovisual Field”. […]...

1. In the movie Once Upon a Time in America, David Aaronson (Robert De Niro) returns to his old neighborhood after years and gives a short and thought-provoking answer to the question “What have you been doing all these years?” He says, “I used to go to bed early at night!” Nighttime sleep is a […]...

If we want to summarize the history of Iranian television after 1357 in one sentence, we can write: A huge cultural and artistic gap between the reality of society and the programs produced. A gap that was mostly evident between the years 68 to 78. The atmosphere of revolutionary society and the subsequent eight-year war […]...

In Iran, when television was under the monopoly of the government, all windows of critical thinking were closed and all avenues of influence for thoughts, beliefs, and existing discourses were obsessively blocked. As an arm of the security apparatus, it also took on the mission of suppressing the government’s opposition. Some speakers and journalists were […]...

Human rights and visual media play a vital role in a free world and act as powerful tools for promoting transparency, accountability, and social justice. In countries that uphold the principles of freedom of expression and information, individuals have the right to produce, access, and share visual media, which can expose human rights violations, document […]...