Children of the grooms; a minority far from fear/ the scent of victory.

This is a picture of a beautiful flower. The scent of Mazafariyan. Experts believe that the marriage of a girl and a boy during childhood or adolescence can have many negative consequences and social damages; because an adolescent who has not yet reached sufficient maturity is not able to take on the responsibility of a […]...

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The right to life; Sacrifice in the battle between rights and truth / Mohammad Javad Akbarian

This is a caption “This is a caption” Mohammad Javad Akbarian The conflict between human rights and sacred boundaries has always been ongoing. As human rights progress to grant more freedom of expression and criticism, sacred values also find more examples to prevent arrows of criticism and denial from reaching the sanctity and boundaries of […]...

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“Judicial independence is a necessary requirement for achieving judicial justice / Mohammad Moghimi.”

This is a caption “This is a caption” Mohammad Moghimi The independent judiciary is of such high importance that it is considered one of the desirable principles of governance. In fact, the existence of an independent and efficient judiciary is a guarantee of the economic, social, cultural, and political security of a society. On the […]...

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Bahman Maghsoudlou: Iranian cinema has failed/ Ali Klayi

Ali Kala’i Behrouz Moqaddam is a filmmaker, critic, and researcher of cinema. He has been active in the field of Iranian and international cinema for over 40 years. Before the revolution, in Bahman 57 (1974), he received the prestigious literary award of Forough Farrokhzad for his writing and editing of a series of books about […]...

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Niloufar Beizaei: In Iranian cinema, women’s rebellion is ridiculed.

Niloufar Beydai, a playwright and theater director, was born in Tehran on January 15, 1967. In 1985, she was forced to leave the country and moved to Germany. She studied German literature, theater, cinema, and television, and education in this country. After completing her studies in 1994, she founded the theater group “Darycheh” in Frankfurt […]...

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Mohammad Tangestani: Chastity has no meaning in cinema/ Simin Rouzgar

  Conversation with Simin Rouzgar Mohammad Tangestani is a poet and journalist. He has experience working with various artistic and social publications in Iran, and is the author of books such as “Amir Zahra” and “Citizen of the World”. In the past two years, he has specialized in the field of censorship and self-censorship. In […]...

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Radiant Light of Alaa: The Iranian government fears feminism like a giant / Siavash Khorramgah

  Conversation with Siavash Khoramgah Is Iranian cinema currently successful? What is the position of women in this cinema? What is the status of feminism in Iranian cinema? These are among the questions that have been raised in the conversation of peace talks with the enlightening presence of Ala, a researcher, poet, and literary critic, […]...

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The portrayal of women on Iranian television/ Jafari’s thoughts.

This is a caption This is a caption. Jafari’s thought She screams and hits her head and face with both hands while crying, goes to sleep with full hijab and wakes up, gets ready to go to the salon or buy clothes, and locks her husband in the house. If she is dying, she definitely […]...

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Three Women of Farhadi/ Mostafa Azizi

This is not a complete sentence, so it cannot be accurately translated. Please provide the full text for an accurate translation. Mostafa Azizi Women in Farhadi’s cinema are always the subject of the story, without being the main character. The deepest issues of women are narrated from the perspective of the male character, who is […]...

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Media in the shadow of politics/ Sina Kiani

This is a caption This is a caption Sina Kiani State television, cinema, and theater have always been available spaces for women to engage in, participate, and consume cultural productions. However, there has always been inequality in terms of time and location distribution compared to men. The position and power of women in each of […]...

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From Caesar Kimiaei to Farhadi the seller; Changing the image of women in Iranian cinema / Ali Ajami.

This is a caption. Ali Ajami In the span of half a century, Iranian society has undergone significant changes from the film “Qeysar” (1348) to “The Salesman” (1396). Comparing the portrayal of Iranian society in these two films can demonstrate these changes; however, this writing will focus on the changes that have occurred in the […]...

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“Red Nail Polish”, A Mediating Approach to Representing Women in Iranian Cinema / Zahra Bagheri Shad

This is a picture of a flower. Zahra Bagheri is happy. The importance of an intersectional approach in examining the position of women. One of the main criticisms of classical feminist theories is that many of these theories have been one-dimensional and based on polarizing gender roles, implying that all women are inherently oppressed and […]...

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