The issue of distinguishing between hero and anti-hero in Iran / Keyumars Amiri

The film “Hero”, written and directed by Asghar Farhadi, tells the story of a young man named “Rahim” who is played by “Amir Jadidi” brilliantly. Rahim has divorced his wife and has a teenage son who stutters. He is in prison because of a 70,000 tomans debt to his former boss and bankruptcy – which […]...

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A Review of the Film “Leila’s Brothers” by Keyumars Amirian

The film “Leila’s Brothers” takes a fresh and sociological look at the visible and hidden layers of incorrect social and cultural relationships in Iranian society; a society that, according to the film’s screenwriter, is synonymous with being a victim, being trapped in ignorance and backwardness, and continuing to be unaware. In this film, Mr. Rural, […]...

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Violation of citizens’ civil rights and human rights / Mohammad Hadi Jafarpour

Some protesting artists have been banned from engaging in transactions. Violation of civil rights and human rights. In a world where social scientists, including philosophers and jurists, are striving to define a comprehensive global concept of human rights based on humanistic theories and analyses, and thinkers like Hannah Arendt and her colleagues are working towards […]...

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Mohammad Tangestani: Chastity has no meaning in cinema/ Simin Rouzgar

  Conversation with Simin Rouzgar Mohammad Tangestani is a poet and journalist. He has experience working with various artistic and social publications in Iran, and is the author of books such as “Amir Zahra” and “Citizen of the World”. In the past two years, he has specialized in the field of censorship and self-censorship. In […]...

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Radiant Light of Alaa: The Iranian government fears feminism like a giant / Siavash Khorramgah

  Conversation with Siavash Khoramgah Is Iranian cinema currently successful? What is the position of women in this cinema? What is the status of feminism in Iranian cinema? These are among the questions that have been raised in the conversation of peace talks with the enlightening presence of Ala, a researcher, poet, and literary critic, […]...

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Three Women of Farhadi/ Mostafa Azizi

This is not a complete sentence, so it cannot be accurately translated. Please provide the full text for an accurate translation. Mostafa Azizi Women in Farhadi’s cinema are always the subject of the story, without being the main character. The deepest issues of women are narrated from the perspective of the male character, who is […]...

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From Caesar Kimiaei to Farhadi the seller; Changing the image of women in Iranian cinema / Ali Ajami.

This is a caption. Ali Ajami In the span of half a century, Iranian society has undergone significant changes from the film “Qeysar” (1348) to “The Salesman” (1396). Comparing the portrayal of Iranian society in these two films can demonstrate these changes; however, this writing will focus on the changes that have occurred in the […]...

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