PEACE-MARK

Last updated:

October 2, 2024

Actors of life

Migration or Liberation from the Bonds of the Seventh Art Community in Iran?/ Morteza Hamounian

It was supposed to be a beginning for everything; but it turned into a beginning for many endings, for departures and leaving things behind, for leaving the country and entrusting the homeland to dreams. As they say, it was supposed to rain and wash away the souls, but instead a flood came and took away […]...

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Created By: Admin
April 24, 2017

Niloufar Beizaei: In Iranian cinema, women’s rebellion is ridiculed.

Niloufar Beydai, a playwright and theater director, was born in Tehran on January 15, 1967. In 1985, she was forced to leave the country and moved to Germany. She studied German literature, theater, cinema, and television, and education in this country. After completing her studies in 1994, she founded the theater group “Darycheh” in Frankfurt […]...

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Created By: Admin
March 27, 2017

Mohammad Tangestani: Chastity has no meaning in cinema/ Simin Rouzgar

  Conversation with Simin Rouzgar Mohammad Tangestani is a poet and journalist. He has experience working with various artistic and social publications in Iran, and is the author of books such as “Amir Zahra” and “Citizen of the World”. In the past two years, he has specialized in the field of censorship and self-censorship. In […]...

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Created By: Simin Rouzgard
March 27, 2017

Radiant Light of Alaa: The Iranian government fears feminism like a giant / Siavash Khorramgah

  Conversation with Siavash Khoramgah Is Iranian cinema currently successful? What is the position of women in this cinema? What is the status of feminism in Iranian cinema? These are among the questions that have been raised in the conversation of peace talks with the enlightening presence of Ala, a researcher, poet, and literary critic, […]...

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Created By: Siavash Khoramgah
March 27, 2017

The portrayal of women on Iranian television/ Jafari’s thoughts.

This is a caption This is a caption. Jafari’s thought She screams and hits her head and face with both hands while crying, goes to sleep with full hijab and wakes up, gets ready to go to the salon or buy clothes, and locks her husband in the house. If she is dying, she definitely […]...

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Created By: Andisheh Jafari
March 27, 2017

Three Women of Farhadi/ Mostafa Azizi

This is not a complete sentence, so it cannot be accurately translated. Please provide the full text for an accurate translation. Mostafa Azizi Women in Farhadi’s cinema are always the subject of the story, without being the main character. The deepest issues of women are narrated from the perspective of the male character, who is […]...

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Created By: Mustafa Azizi
March 27, 2017

Media in the shadow of politics/ Sina Kiani

This is a caption This is a caption Sina Kiani State television, cinema, and theater have always been available spaces for women to engage in, participate, and consume cultural productions. However, there has always been inequality in terms of time and location distribution compared to men. The position and power of women in each of […]...

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Created By: Admin
March 27, 2017

From Caesar Kimiaei to Farhadi the seller; Changing the image of women in Iranian cinema / Ali Ajami.

This is a caption. Ali Ajami In the span of half a century, Iranian society has undergone significant changes from the film “Qeysar” (1348) to “The Salesman” (1396). Comparing the portrayal of Iranian society in these two films can demonstrate these changes; however, this writing will focus on the changes that have occurred in the […]...

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Created By: Ali Ajami
March 27, 2017

“Red Nail Polish”, A Mediating Approach to Representing Women in Iranian Cinema / Zahra Bagheri Shad

This is a picture of a flower. Zahra Bagheri is happy. The importance of an intersectional approach in examining the position of women. One of the main criticisms of classical feminist theories is that many of these theories have been one-dimensional and based on polarizing gender roles, implying that all women are inherently oppressed and […]...

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Created By: Admin
March 27, 2017

The role of women in Iranian cinema, from the beginning to the end of the 30s decade / Jinoos Nazak Kar.

This is not a complete sentence and cannot be accurately translated. Please provide the full text for an accurate translation. Genius delicate work Women have always been one of the important and influential factors in dramatic storytelling and without their presence, many important literary and theatrical works of the world could not have been created; […]...

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Created By: Jinos Nazkar
March 27, 2017