Three Women of Farhadi/ Mostafa Azizi

This is not a complete sentence, so it cannot be accurately translated. Please provide the full text for an accurate translation. Mostafa Azizi Women in Farhadi’s cinema are always the subject of the story, without being the main character. The deepest issues of women are narrated from the perspective of the male character, who is […]...

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From Caesar Kimiaei to Farhadi the seller; Changing the image of women in Iranian cinema / Ali Ajami.

This is a caption. Ali Ajami In the span of half a century, Iranian society has undergone significant changes from the film “Qeysar” (1348) to “The Salesman” (1396). Comparing the portrayal of Iranian society in these two films can demonstrate these changes; however, this writing will focus on the changes that have occurred in the […]...

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